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Don Costa: American recording artist, conductor, record producer, music arranger, jazz guitarist (1925 - 1983) | Biography
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Don Costa
American recording artist, conductor, record producer, music arranger, jazz guitarist

Don Costa

Don Costa
The basics

Quick Facts

Intro American recording artist, conductor, record producer, music arranger, jazz guitarist
Was Musician Composer Guitarist Jazz musician Jazz guitarist Conductor Songwriter Film score composer Record producer Singer Music arranger
From United States of America
Field Business Film, TV, Stage & Radio Music
Gender male
Birth 10 July 1925, Boston, USA
Death 19 January 1983, New York City, USA (aged 57 years)
Star sign Cancer
Family
Spouse: Terry Ray Costa
Children: Nikka Costa
Genre:
Pop music
Jazz
Stage and screen
Instruments:
Guitar
The details (from wikipedia)

Biography

Dominick P. "Don" Costa (June 10, 1925 – January 19, 1983) was an American conductor and record producer. He discovered singer Paul Anka and worked on several hit albums by Frank Sinatra, including Sinatra and Strings and My Way.

Career

Costa was born in Boston, Massachusetts to an Italian American family. As a child, he took a keen interest in learning the guitar, and he became a member of the CBS Radio Orchestra by the time he was in his teens. In the late 1940s, Costa moved to New York City to further his career by becoming a session musician. He played guitar with Bucky Pizzarelli on Vaughn Monroe's hit record "Ghost Riders in the Sky". It was around this time that Costa started experimenting with combinations of instruments, producing musical arrangements, and selling them to big bands.

Steve Lawrence and Eydie Gormé invited Costa to write vocal backgrounds for their recordings. He agreed and thus began an association that led to their joining a record label headed by Sam Clark: ABC-Paramount Records. Costa accepted the position of head A&R man as well as chief arranger and producer. Many hits were to follow, not only with Lawrence and Gormé, but with Lloyd Price, George Hamilton IV, and Paul Anka. Apart from his arranging skills, Costa was a guitarist. From 1956–'57 he released two 45s on ABC-Paramount using the alias Muvva "Guitar" Hubbard. He wrote the first, "Ponytail", as an R&B instrumental. The second was a cover version of "Raunchy" by Bill Justis.

In Cash Box Costa was voted most popular arranger and conductor. In 1959, Costa, Lawrence, and Gormé left ABC for United Artists Records. Costa became A&R director. He arranged and produced albums for others and released his own instrumental albums. His hits included the theme songs from Never on Sunday and The Unforgiven. "Never on Sunday" sold over one million copies and was awarded a gold disc. The song peaked at No. 27 in the United Kingdom in late 1960.

During this time, Frank Sinatra formed Reprise Records and hired Costa to arrange the album Sinatra and Strings, released in 1962. This set of standard ballads would remain one of the most critically acclaimed works of Sinatra's Reprise period. His later work moved away from orchestra arrangement. Songs on the album include "All or Nothing at All", a verse-only version of "Stardust", a ballad rendition of "Night and Day" which provided a contrast to Sinatra's more familiar big band version, and "Come Rain or Come Shine", which frequently is included in compilations from Sinatra's Reprise years. During the next year, Costa was asked to arrange for the Sarah Vaughan album, Snowbound. Barbra Streisand used the same arrangement of "Snowbound" for her second Christmas album for Sony in 2001. Costa also arranged Tony Bennett's 1965 album If I Ruled the World: Songs for the Jet Set.

In the mid-1960s, Costa moved from New York City to Hollywood and formed DCP International through United Artists. His label revived the career of popular 1950s act Little Anthony and the Imperials. Working with producer Teddy Randazzo, Little Anthony had a string of hits, including "Goin' Out of My Head" and "Hurt So Bad". In 1963, Costa discovered Trini Lopez working at PJ's, a Hollywood nightclub. Later in the decade, Sinatra again called on Costa to become his arranger, and Costa's work with Lawrence and Gormé abated. During this period, Sinatra scored one of his biggest hits, the Paul Anka adaptation of "My Way" (from the French "Comme d'habitude").

Later years and death

Costa was conducting for Sinatra in Las Vegas as well as arranging his records when he suffered a heart attack and required bypass surgery. After recovering, he started working with Mike Curb at MGM Records, producing and arranging material for the Osmond Brothers hits, as well as having a hand in Sammy Davis, Jr.'s "The Candy Man", "We Can Make it Together" by Steve & Eydie featuring the Osmonds, and Petula Clark's cover of "My Guy."

In the early 1980s, Costa scored again as an artist with a hit with his 10-year-old daughter Nikka entitled "Out Here on My Own". The two were planning a follow-up when Costa died of a heart attack on January 19, 1983 in New York.

On June 25, 2019, The New York Times Magazine listed Don Costa among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.

Selected discography

  • Music to Break a Sub-Lease (1958)
  • The Theme from "The Unforgiven" (1960)
  • Magnificent Motion Picture Music (1961)
  • Hollywood Premiere! (1962)
  • Days of Wine and Roses (1966)
  • Modern Delights (1967)
  • The Don Costa Concept (1969)
The contents of this page are sourced from Wikipedia article on 05 Apr 2020. The contents are available under the CC BY-SA 4.0 license.
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References
https://archive.org/details/bookofgoldendisc00murr/page/123
https://www.nytimes.com/1983/01/21/obituaries/don-costa-musician-conductor.html
http://www.spaceagepop.com/costa.htm
https://www.nytimes.com/2019/06/25/magazine/universal-music-fire-bands-list-umg.html
https://www.allmusic.com/artist/don-costa-mn0000796192
https://www.discogs.com/artist/270262
https://www.imdb.com/name/nm0182134/
https://www.findagrave.com/memorial/45770579
http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX884759
https://catalogue.bnf.fr/ark:/12148/cb14838337t
https://data.bnf.fr/ark:/12148/cb14838337t
https://d-nb.info/gnd/134351339
http://isni.org/isni/0000000073601983
https://id.loc.gov/authorities/names/n92081870
https://musicbrainz.org/artist/1f9e4aed-ab31-4d61-a1d0-b524bceb9172
https://aleph.nkp.cz/F/?func=find-c&local_base=aut&ccl_term=ica=xx0156052&CON_LNG=ENG
http://data.bibliotheken.nl/id/thes/p074203061
https://snaccooperative.org/ark:/99166/w6dj6cv3
https://viaf.org/viaf/61815399
https://www.worldcat.org/identities/lccn-n92081870
Sections Don Costa

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