Florenz Ziegfeld, Jr.: American broadway impresario (born: 1867 - died: 1932) | Biography, Filmography, Bibliography, Facts, Information, Career, Wiki, Life
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Florenz Ziegfeld, Jr.
American broadway impresario

Florenz Ziegfeld, Jr.

Florenz Ziegfeld, Jr.
The basics

Quick Facts

Intro American broadway impresario
A.K.A. Florenz Ziegfeld
Was Musician Impresario Film producer Screenwriter Theatre director Theater professional
From United States of America
Field Arts Film, TV, Stage & Radio Music
Gender male
Birth 21 March 1867, Chicago, Cook County, Illinois, USA
Death 22 July 1932, Hollywood, Los Angeles, Los Angeles County, USA (aged 65 years)
Star sign Aries
Father: Florenz Ziegfeld Sr.
Spouse: Billie Burke (1914-1932)
Children: Patricia Ziegfeld Stephenson
The details (from wikipedia)


Florenz Edward Ziegfeld Jr. (/ˈzɪɡfɛld/; March 21, 1867 – July 22, 1932) was an American Broadway impresario, notable for his series of theatrical revues, the Ziegfeld Follies (1907–1931), inspired by the Folies Bergère of Paris. He also produced the musical Show Boat. He was known as the "glorifier of the American girl". Ziegfeld is a member of the American Theater Hall of Fame.


Poster for The Sandow Trocadero Vaudevilles, produced by Ziegfeld (1894)

Florenz Edward Ziegfeld Jr. was born on March 21, 1867, in Chicago, Illinois. His mother, Rosalie (née de Hez), who was born in Belgium, was the grandniece of General Count Étienne Maurice Gérard. His father, Florenz Edward Ziegfeld, was a German immigrant whose father was the mayor of Jever in Friesland. Ziegfeld was baptized in his mother's Roman Catholic church. His father was Lutheran.

As a child Ziegfeld witnessed first-hand the Chicago fire of 1871. His father ran the Chicago Musical College and later opened a nightclub, the Trocadero, to obtain business from the 1893 World's Fair. To help his father's nightclub succeed, Ziegfeld hired and managed the strongman Eugen Sandow.

During a trip to Europe, Ziegfeld came across a young Polish-French singer by the name of Anna Held. His promotion of Held in America brought about her meteoric rise to national fame. It was Held who first suggested an American imitation of the Parisian Folies Bergère to Ziegfeld. Her success in a series of his Broadway shows, especially A Parisian Model (1906), was a major reason for his starting a series of lavish revues in 1907. Much of Held's popularity was due to Ziegfeld's creation of publicity stunts and rumors fed to the American press.

Ziegfeld's stage spectaculars, known as the Ziegfeld Follies, began with Follies of 1907, which opened on July 7, 1907, and were produced annually until 1931. These extravaganzas, with elaborate costumes and sets, featured beauties chosen personally by Ziegfeld in production numbers choreographed to the works of prominent composers such as Irving Berlin, George Gershwin and Jerome Kern. The Follies featured the famous Ziegfeld girls, female chorus dancers who wore elaborate costumes and performed in synchronization.

The Follies featured many performers who, though well known from previous work in other theatrical genres, achieved unique financial success and publicity with Ziegfeld. Included among these are Nora Bayes, Fanny Brice, Ruth Etting, W. C. Fields, Eddie Cantor, Marilyn Miller, Will Rogers, Bert Williams and Ann Pennington.

Ziegfeld and Held commenced a common-law marriage in 1897, but she divorced him in 1913, according to her obituary in The New York Times dated August 13, 1918. Held served Ziegfeld with divorce papers on April 14, 1912, and their divorce became final on January 9, 1913. Held had submitted testimony about Ziegfeld's relationship with another woman. The unnamed party in this romantic triangle was showgirl Lillian Lorraine, an entertainer of limited talent but charismatic stage presence and beauty whom Ziegfeld discovered in 1907 when she was a 15-year-old performer in a Shubert production. Ziegfeld spent years promoting her career, transforming her into one of the most popular attractions in his Follies and establishing her in an apartment two floors above the residence he shared with Held. He remained in love with Lorraine for the rest of his life.Not long after his divorce Ziegfeld married actress Billie Burke on April 11 1914 after meeting at a party on New Year's Eve. They had one child, Patricia Ziegfeld Stephenson (1916–2008). The family lived on his estate in Hastings-on-Hudson, New York, and in Palm Beach, Florida.

Caricature by Ralph Barton, 1925

At a cost of $2.5 million, Ziegfeld built the 1600-seat Ziegfeld Theatre on the west side of Sixth Avenue between 54th and 55th Streets. Designed by Joseph Urban and Thomas W. Lamb, the auditorium was egg-shaped, with the stage at the narrow end. A huge medieval-style mural, The Joy of Life, covered the walls and ceiling. To finance the construction, Ziegfeld borrowed from William Randolph Hearst, who took control of the theater after Ziegfeld's death.

The Ziegfeld Theatre opened in February 1927 with Ziegfeld's production of Rio Rita, which ran for nearly 500 performances. This was followed by Show Boat, a great hit with a run of 572 performances. This musical, which concerned racial discrimination in the South during the late nineteenth century, was a collaboration between Ziegfeld, Urban, and composer Jerome Kern. The musical has been revived four times on Broadway, winning multiple Tony Awards. The score features several classics such as "Ol' Man River" and "Can't Help Lovin' Dat Man".

Ziegfeld lost much of his money in the stock market crash. In May 1932 he staged a revival of Show Boat that ran for six months—a hit, by Depression standards. That same year, he brought his Follies stars to CBS Radio with The Ziegfeld Follies of the Air.

Ziegfeld died in Hollywood, California on July 22, 1932, from pleurisy, related to a previous lung infection. He had been in Los Angeles only a few days after moving from a New Mexico sanitarium. His death left Burke with substantial debts, driving her toward film acting to settle them. He and Burke are interred in Kensico Cemetery in Valhalla, New York.


Ziegfeld was elected to the American Theatre Hall of Fame.

Broadway theatre productions

Broadway theatre productions
Date Title Notes
1896 A Parlor Match Herald Square Theatre
1898 The French Maid Herald Square Theatre
1898 Way Down East Manhattan Theatre
1898 The Turtle Manhattan Theatre
1899 Mlle. Fifi Manhattan Theatre
1899 The Manicure Manhattan Theatre
1899–1900 Papa's Wife Manhattan Theatre
1901–1902 The Little Duchess Casino Theatre, Grand Opera House
1903–1904 Red Feather Lyric Theatre, Grand Opera House
1903–1904 Mam'selle Napoleon Knickerbocker Theatre
1904–1905 Higgledy-Piggledy Weber and Fields' Broadway Music Hall
1905 Higgledy-Piggledy Weber and Fields' Broadway Music Hall
1906–1907 The Parisian Model Broadway Theatre
1907 Follies of 1907 Jardin de Paris, Liberty Theatre, Grand Opera House
1908 The Parisian Model Broadway Theatre
1908 The Soul Kiss New York Theatre
1908 Follies of 1908 Jardin de Paris, New York Theatre
1908–1909 Miss Innocence New York Theatre
1909 Follies of 1909 Jardin de Paris
1909 Miss Innocence New York Theatre
1910 Follies of 1910 Jardin de Paris
1911 Ziegfeld Follies of 1911 Jardin de Paris
1912 Over the River Globe Theatre
1912 A Winsome Widow Moulin Rouge
1912–1913 Ziegfeld Follies of 1912 Moulin Rouge
1913 Ziegfeld Follies of 1913 Moulin Rouge
1914 Ziegfeld Follies of 1914 New Amsterdam Theatre
1915 Ziegfeld Follies of 1915 New Amsterdam Theatre
1916 Ziegfeld Follies of 1916 New Amsterdam Theatre
1916–1917 The Century Girl Century Theatre
1917 Dance and Grow Thin Cocoanut Grove Theatre
1917 Ziegfeld Follies of 1917 New Amsterdam Theatre
1917 The Rescuing Angel Hudson Theatre
1917–1918 Miss 1917 Century Theatre
1917–1918 A Night in Spain Cocoanut Grove Theatre
1918 Ziegfeld Follies of 1918 New Amsterdam Theatre, Globe Theatre
1918 Ziegfeld Midnight Frolic Ziegfeld Roof
1918 By Pigeon Post George M. Cohan's Theatre
1919 Ziegfeld Follies of 1919 New Amsterdam Theatre
1919 Ziegfeld Nine O'Clock Review New Amsterdam Theatre Roof
1919 Ziegfeld Midnight Frolic Danse de Follies
1919 Caesar's Wife Liberty Theatre
1919–1920 Elsie Janis and Her Gang George M. Cohan's Theatre
1920 Ziegfeld Girls of 1920 Danse de Follies
1920 Ziegfeld Follies of 1920 New Amsterdam Theatre
1920–1922 Sally New Amsterdam Theatre
1921 Ziegfeld Midnight Frolic Ziegfeld Roof
1921 Ziegfeld 9 O'Clock Frolic Danse de Follies
1921 Ziegfeld Follies of 1921 Globe Theatre
1921–1922 The Intimate Strangers Henry Miller's Theatre
1921–1922 Ziegfeld Midnight Frolic Danse de Follies
1922 Ziegfeld Follies of 1922 New Amsterdam Theatre
1922–1923 Rose Briar Empire Theatre
1923 Ziegfeld Follies of 1923 New Amsterdam Theatre
1923 Sally New Amsterdam Theatre
1923–1924 Ziegfeld Follies of 1923 New Amsterdam Theatre
1923–1925 Kid Boots Earl Carroll Theatre, Selwyn Theatre
1924–1925 Ziegfeld Follies of 1924 New Amsterdam Theatre
1924–1925 Annie Dear Times Square Theatre
1925 Louis the 14th Cosmopolitan Theatre
1925 Ziegfeld Follies of 1925 New Amsterdam Theatre
1926 No Foolin' Globe Theatre
1926–1927 Betsy New Amsterdam Theatre
1927–1928 Rio Rita Ziegfeld Theatre, Lyric Theatre, Majestic Theatre
1927–1928 Ziegfeld Follies of 1927 New Amsterdam Theatre
1927–1929 Show Boat Ziegfeld Theatre
1928 Rosalie Ziegfeld Theatre
1928 The Three Musketeers Lyric Theatre
1928–1929 Whoopee! New Amsterdam Theatre
1929 Ziegfeld Midnight Frolic Frolic Theatre
1929 Show Girl Ziegfeld Theatre
1929–1930 Bitter Sweet Ziegfeld Theatre, Shubert Theatre
1930 Simple Simon Ziegfeld Theatre
1930–1931 Smiles Ziegfeld Theatre
1931 Ziegfeld Follies of 1931 Ziegfeld Theatre
1932 Hot-Cha! Ziegfeld Theatre
1932 Show Boat Casino Theatre


Ziegfeld appears in a sound prologue to the 1929 film, Show Boat—a part-talkie based on Edna Ferber's 1926 novel, not the popular stage adaptation that was still playing on Broadway when the film was released. Universal Pictures originally made Show Boat as a silent, and obtained the rights to the popular Broadway score after the film was shot. The 18-minute prologue is introduced by Ziegfeld and producer Carl Laemmle, and features excerpts from the stage production performed by cast members Jules Bledsoe, Tess Gardella, Helen Morgan and the Broadway chorus. Two subsequent adaptations of Show Boat, in 1936 and 1951, were based on the stage musical.

Technicolor screen versions of three of Ziegfeld's stage musicals were produced in the early sound film era. RKO Pictures had its first hit with its lavish presentation of Rio Rita (1929), starring Bebe Daniels and John Boles.

Marilyn Miller reprised one of her greatest stage successes in Sally (1929). Eddie Cantor reprised his popular Broadway role in Whoopee! (1930), which Ziegfeld himself produced with Samuel Goldwyn.

Cultural references

Poster for The Great Ziegfeld (1936)

In 1936 Metro-Goldwyn-Mayer released a semi-biographical film extravaganza, The Great Ziegfeld, starring William Powell. He was personally chosen for the role by Billie Burke, who felt that while Powell did not physically resemble her late husband, he possessed the right manner. "What I tried to do primarily was to get across the essential spirit of the man", Powell later said, "his love for show business, his exquisite taste, his admiration for the beauty of women. He was financially impractical but aesthetically impeccable—a genius in his chosen field." Nominated for seven Academy Awards, The Great Ziegfeld received Oscars for Best Picture, Best Actress (Luise Rainer as Anna Held), and Best Dance Direction (Seymour Felix), for the astonishingly opulent production number, "A Pretty Girl Is Like a Melody"—one of the most famous musical sequences ever filmed. It was MGM's most expensive production since Ben-Hur (1925), and it made back twice its cost.

Released by MGM ten years later, Ziegfeld Follies (1946) was an all-star revue that includes Powell in a cameo role as Ziegfeld. A 1978 NBC-television film, Ziegfeld: The Man and His Women, stars Paul Shenar as Ziegfeld. Directed by Buzz Kulik, the three-hour biopic was nominated for seven Emmy Awards and received the award for Outstanding Cinematography (Gerald Finnerman).

Ziegfeld appears as a character in a number of films:

  • The Jolson Story (1946), played by Eddie Kane
  • I'll See You in My Dreams (1951), played by William Forrest
  • The Story of Will Rogers (1952), played by William Forrest
  • The I Don't Care Girl (1953), played by Wilton Graff
  • The Eddie Cantor Story (1953), played by William Forrest
  • The Helen Morgan Story (1957), played by Walter Woolf King
  • Funny Girl (1968), played by Walter Pidgeon; played by Roger DeKoven in the original Broadway stage production
  • W. C. Fields and Me (1976), played by Paul Stewart


The Academy Film Archive houses the Florenz Ziegfeld-Billie Burke Collection. The collection consists primarily of home movies.

The contents of this page are sourced from Wikipedia article on 28 Nov 2021. The contents are available under the CC BY-SA 4.0 license.
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