|Intro||English barrister, dramatist, screenwriter and author|
|A.K.A.||Sir John Clifford Mortimer, Sir John Mortimer, John Clifford Mortimer|
|Was||Poet Lawyer Writer Judge Screenwriter Barrister Novelist Poet lawyer|
|Field||Film, TV, Stage & Radio Law Literature|
|Birth||21 April 1923, Hampstead|
|Death||16 January 2009, Turville (aged 85 years)|
Sir John Clifford Mortimer, CBE, QC (21 April 1923 – 16 January 2009) was an English barrister, dramatist, screenwriter, and author.
Mortimer was born in Hampstead, London, the only child of Kathleen May (née Smith) and Clifford Mortimer, a barrister who became blind in 1936, when he hit his head on the door frame of a London taxi, but still pursued his career. Clifford's loss of sight was not acknowledged openly by the family.
John Mortimer was educated at the Dragon School, in Oxford, and Harrow School, where he joined the Communist Party forming a one-member cell. Originally Mortimer intended to be an actor; his lead role in the Dragon's 1937 production of Richard II, gained glowing reviews in The Draconian, and then a writer, but his father persuaded him against it advising: "My dear boy, have some consideration for your unfortunate wife ... [the law] gets you out of the house."
At seventeen, he went up to Brasenose College, Oxford where he read law, though he was actually based at Christ Church because the Brasenose buildings had been requisitioned for the war effort. In July 1942, at the end of his second year, he was asked to leave Oxford by the Dean of Christ Church, after romantic letters to a Bradfield College sixth-former, Quentin Edwards, later a QC, were discovered by the young man's housemaster. He graduated from Oxford with a Bachelor of Arts degree in October 1943.
Early writing career
Mortimer was classified as medically unfit for military service in World War II, with weak eyes and doubtful lungs. He worked for the Crown Film Unit, under Laurie Lee, writing scripts for propaganda documentaries.
I lived in London and went on journeys in blacked-out trains to factories and coal-mines and military and air force installations. For the first and, in fact, the only time in my life I was, thanks to Laurie Lee, earning my living entirely as a writer. If I have knocked the documentary ideal, I would not wish to sound ungrateful to the Crown Film Unit. I was given great and welcome opportunities to write dialogue, construct scenes and try and turn ideas into some kind of visual drama.
He based his first novel Charade on his experiences with the Crown Film Unit.
Mortimer made his radio debut as a dramatist in 1955 with his adaptation of his own novel, Like Men Betrayed for the BBC Light Programme. But he made his debut as an original playwright with The Dock Brief, starring Michael Hordern as a hapless barrister, first broadcast in 1957 on BBC Radio's Third Programme, later televised with the same cast and subsequently presented in a double bill with What Shall We Tell Caroline? at the Lyric Hammersmith in April 1958, before transferring to the Garrick Theatre. It was revived by Christopher Morahan in 2007 as part of a touring double bill, Legal Fictions.
His play, A Voyage Round My Father, given its first radio broadcast in 1963, is autobiographical, recounting his experiences as a young barrister and his relationship with his blind father. It was memorably televised by BBC Television in 1969 with Mark Dignam in the title role. In a slightly longer version the play later became a stage success (first at Greenwich Theatre in 1979 with Dignam, then a year later at the Theatre Royal Haymarket, now starring Alec Guinness). In 1981 it was remade by Thames Television with Laurence Olivier as the father and Alan Bates as young Mortimer. In 1965, he and his wife wrote the screenplay for the Otto Preminger film Bunny Lake is Missing, which also starred Olivier.
Mortimer was called to the Bar (Inner Temple) in 1948, at the age of 25. His early career consisted of testamentary and divorce work, but on taking silk in 1966, he began to undertake work in criminal law. His highest profile, though, came from cases relating to claims of obscenity, which, according to Mortimer, were "alleged to be testing the frontiers of tolerance."
He has sometimes been incorrectly cited as a member in the Lady Chatterley's Lover obscenity trial defence team, though this is inaccurate. Mortimer did however successfully represent publishers John Calder and Marion Boyars in their 1968 appeal against their conviction for publishing Hubert Selby, Jr.'s Last Exit to Brooklyn. He assumed a similar role three years later, this time unsuccessfully, for Richard Handyside, the English publisher of The Little Red Schoolbook.
Mortimer was also defence counsel at the Oz conspiracy trial later in 1971. In 1976, he defended Gay News editor Denis Lemon (Whitehouse v. Lemon) for the publication of James Kirkup's "The Love that Dares to Speak its Name" against charges of blasphemous libel; Lemon was convicted with a suspended prison sentence, later overturned on appeal. His defence of Virgin Records in the 1977 obscenity hearing for their use of the word bollocks in the title of the Sex Pistols album Never Mind the Bollocks, Here's the Sex Pistols, and the manager of the Nottingham branch of the Virgin record shop chain for the record's display in a window and its sale, led to the defendants being found not guilty. Mortimer retired from the bar in 1984.
Later writing career
Mortimer is best remembered for creating a barrister named Horace Rumpole, inspired by his father Clifford, whose speciality is defending those accused of crime in London's Old Bailey. Mortimer created Rumpole for a BBC Play For Today in 1975. Although not Mortimer's first choice of actor (in an interview on the DVD set, he said he wanted Alistair Sim -- "but he was dead"), Leo McKern played the character with gusto and proved popular; accordingly, the idea was developed into a series, Rumpole of the Bailey for Thames Television, in which McKern again took the lead role. Mortimer also wrote a series of Rumpole books. In September–October 2003, BBC Radio 4 broadcast four new 45-minute Rumpole plays by Mortimer with Timothy West in the title role. Mortimer also dramatised many of the real-life cases of the barrister Edward Marshall-Hall in a radio series featuring former Doctor Who star Tom Baker as the protagonist.
Mortimer was credited with writing the script for Granada Television's 1981 serialization of Brideshead Revisited, based on the novel by Evelyn Waugh. However, Graham Lord's unofficial biography, John Mortimer: The Devil's Advocate, revealed in 2005 that none of Mortimer's submitted scripts had in fact been used and that the screenplay was actually written by the series' producer and director. Mortimer adapted John Fowles's The Ebony Tower, starring Laurence Olivier for Granada in 1984. In 1986, his adaptation of his own novel Paradise Postponed was televised. He wrote the script, based on the autobiography of Franco Zeffirelli, for the 1999 film Tea with Mussolini, directed by Zeffirelli and starring Joan Plowright, Cher, Judi Dench, Maggie Smith and Lily Tomlin. From 2004, Mortimer worked as a consultant for the politico-legal US "dramedy" television show Boston Legal.
He developed his career as a dramatist by rising early to write before attending court, and his work in total includes over fifty books, plays, and scripts.
Mortimer married Penelope Fletcher (he was her second husband), later better known as Penelope Mortimer, in 1949 and had a son Jeremy Mortimer and a daughter Sally Silverman. The unstable marriage inspired work by both writers, of which Penelope's novel, The Pumpkin Eater (1962), later made into the film of the same name, is the best known. The couple divorced in 1971 and he married Penelope Gollop in 1972. They had two daughters, Emily Mortimer (1971), and Rosie Mortimer (1984). He lived with his second wife in the village of Turville Heath in Buckinghamshire. The split with his first wife had been bitter, but they were on friendly terms by the time of her death in 1999.
In September 2004, Graham Lord discovered the existence of a second son, Ross Bentley, conceived during a secret affair Mortimer pursued with the English actress Wendy Craig more than 40 years earlier, and born in November 1961. Craig and Mortimer had met when the actress had been cast playing a pregnant woman in Mortimer's first full-length West End play, The Wrong Side of the Park. Ross Bentley was raised by Craig and her husband, Jack Bentley, the show business writer and musician. In Mortimer's memoirs, Clinging to the Wreckage, he wrote of "enjoying my mid-thirties and all the pleasures which come to a young writer."
Awarded the CBE in 1986, he was knighted in 1998.
Mortimer died on 16 January 2009, aged 85, after a long illness. He had suffered a stroke in October 2008.
John Mortimer was a member of English PEN. He was patron of the Burma Campaign UK, the London-based group campaigning for human rights and democracy in Burma, and was the president of the Royal Court Theatre having been the chairman of its board from 1990 to 2000. Earlier, he was on the board of the National Theatre (1968–88).
Select screenwriting credits
- The Innocents (additional dialogue, 1961)
- Bunny Lake Is Missing (1965)
- A Flea in Her Ear (1968)
- John and Mary (1969)
- Maschenka (1987) (Vladimir Nabokov novel adaptation directed by John Goldschmidt)
- Tea With Mussolini (1999)