Michael Chekhov: Russian actor and director (1891 - 1955) | Biography
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Michael Chekhov
Russian actor and director

Michael Chekhov

Michael Chekhov
The basics

Quick Facts

Intro Russian actor and director
A.K.A. Michailas Čechovas
Was Actor Film actor Stage actor Drama teacher Film director Theatre director Theater professional
From Russia United States of America
Field Arts Academia Film, TV, Stage & Radio
Gender male
Birth 17 August 1891, Saint Petersburg, Tsardom of Russia
Death 30 September 1955, Beverly Hills, USA (aged 64 years)
Star sign Leo
Father: Alexander Chekhov
Spouse: Olga Chekhova
Children: Ada Tschechowa
The details (from wikipedia)


Mikhail Aleksandrovich "Michael" Chekhov (Russian: Михаил Александрович Чехов, 29 August 1891 – 30 September 1955) was a Russian-American actor, director, author and theatre practitioner. He was a nephew of the playwright Anton Chekhov and a student of Konstantin Stanislavski. Stanislavski referred to him as his most brilliant student.

Although mainly a stage actor, he made a few notable appearances on film, perhaps most memorably as the Freudian analyst in Alfred Hitchcock's Spellbound (1945), for which he received his only Academy Award nomination.


He was born in Saint Petersburg, the son of Alexander Chekhov (the elder brother of Anton Chekhov) and his wife Natalya Golden. It was his father's second marriage. His mother, a Russian Jew, had been the governess to the children from his father's first marriage. He was raised in a middle-class family; his father was in the Imperial Customs Service and was a moderately successful writer.

Chekhov's first wife was actress Olga Chekhova, whom he met at the Moscow Art Theatre First Studio. Olga Chekhova was a daughter of Konstantin Knipper and was the niece of Olga Knipper, Anton Chekhov's wife, for whom she was named. Their daughter, also baptized Olga, was born in 1916 and became a German actress under the name Ada Tschechowa. His second wife was Xenia Karlovna Ziller, of German origins.

Chekhov studied under the Russian theatre practitioner Konstantin Stanislavski at the First Studio, where he acted, directed, and studied Stanislavski's 'system'. He was also influenced in his creative development as an actor by Yevgeny Vakhtangov and Leopold Sulerzhitsky. In 1922, after the death of Vakhtangov, Chekhov became director of the First Studio, which was subsequently renamed Moscow Art Theatre II.

Stanislavski considered Chekhov to be one of his brightest students. When Chekhov experimented with affective memory and had a nervous breakdown, this aided Stanislavski in seeing the limitations of his early concepts of emotional memory.

After the October Revolution, Chekhov split with Stanislavski and toured with his own company. He thought that Stanislavski’s techniques led too readily to a naturalistic style of performance. He demonstrated his own theories acting in parts such as Senator Ableukhov in the stage version of Andrei Bely's Petersburg.

In the late 1920s, Chekhov emigrated to Germany and set up his own studio, teaching a physical and imagination-based system of actor training. He developed the use of the "Psychological Gesture", a concept derived from the Symbolist theories of Bely. Stanislavski came to regard Chekhov's work as a betrayal of his principles.

In this technique, the actor physicalizes a character’s need or internal dynamic in the form of an external gesture. Subsequently, the outward gesture is suppressed and incorporated internally, allowing the physical memory to inform the performance on an unconscious level. Between 1930-1935 he worked in Kaunas State Drama Theatre in Lithuania. Between 1936 and 1939 Chekhov established The Chekhov Theatre School at Dartington Hall, in Devon, England. Following developments in Germany that threatened the outbreak of war he moved to the USA with the couple, and later writers, Anne Cumming and Henry Lyon Young to recreate a drama school.


Chekhov in 1922, from The Russian Theater by Oliver Sayler

Following Stanislavski's approach, much of what Chekhov explored addressed the question of how to access the unconscious creative self through indirect non-analytical means. Chekhov taught a range of movement dynamics such as molding, floating, flying, and radiating that actors use to find the physical core of a character.

Despite his seemingly external approach, Chekhov's techniques were meant to lead the actor to a rich internal life. In spite of his brilliance as an actor and his first-hand experience in the development of Stanislavski's groundbreaking work, Chekhov as a teacher was overshadowed by his American counterparts in the 1940s and 1950s and their interpretations of Stanislavski's 'system,' which became known as Method acting. Interest in Chekhov's work has grown, however, with a new generation of teachers. Chekhov's own students included Marilyn Monroe, Anthony Quinn, Clint Eastwood, Dorothy Dandridge, Mala Powers, Yul Brynner, Patricia Neal, Sterling Hayden, Jack Palance, Elia Kazan, Robert Lewis, Paula Strasberg, Guy Gillette, and Lloyd and Dorothy Bridges. In the television programme Inside the Actors Studio, noted actors such as Johnny Depp and Anthony Hopkins have cited Chekhov's book as highly influential on their acting. Beatrice Straight also thanked Chekhov in her acceptance speech after winning her Oscar for her performance in Network (1976).

Chekhov's description of his acting technique, On the Technique of Acting, was written in 1942. When reissued in 1991 it had additional material by Chekhov estate executor Mala Powers; an abridged version appeared under the title To the Actor in 1953, with a preface by Yul Brynner, and reissued in 2002 with an additional foreword by Simon Callow and additional Russian material translated and commented on by Andrei Malaev-Babel, a notable Russian-born acting scholar and teacher. The English translation of his autobiography The Path of the Actor was edited by Andrei Kirillov and Bella Merlin and published by Routledge in 2005, marking the 50th anniversary of his death. Some of Chekhov's lectures are available on CD under the title On Theatre and the Art of Acting. The documentary From Russia to Hollywood: the 100 Year Odyssey of Chekhov and Shdanoff, profiles Chekhov and his fellow Russian associate George Shdanoff; released in 1998, it is narrated by Mala Powers and Gregory Peck, who starred in Alfred Hitchcock's Spellbound, for which Chekhov earned an Oscar nomination.

Selected filmography

Michael Chekhov as Erik in the 1921 production of August Strindberg's Erik XIV
Year Title Role Notes
1914 Kogda zvuchat struny serdtsa
1915 Shkaf s syurprizom
1916 Liubvi syurprizy tshchetnye
1921 Erik XIV Erik XIV
1927 Einer gegen alle
1927 Man from the Restaurant Skorokhodov
1929 Der Narr seiner Liebe Didier Mireuil
1930 Phantoms of Happiness Jacques Bramard
1930 Troika Paschka, village idiot
1944 Song of Russia Ivan Stepanov
1944 In Our Time Uncle Leopold Baruta
1945 Spellbound Dr. Alexander 'Alex' Brulov
1946 Specter of the Rose Max Polikoff
1946 Cross My Heart Peter
1946 Abie's Irish Rose Solomon Levy
1948 Texas, Brooklyn and Heaven Gaboolian
1952 Invitation Dr. Fromm
1952 Holiday for Sinners Dr. Konndorff
1954 Rhapsody Professor Schuman (final film role)
The contents of this page are sourced from Wikipedia article on 08 Mar 2020. The contents are available under the CC BY-SA 4.0 license.
Frequently Asked Questions
Q: Who is Michael Chekhov?
A: Michael Chekhov was a Russian-American actor, director, and teacher who is best known for developing the Chekhov Technique, a psycho-physical approach to acting.
Q: What is the Chekhov Technique?
A: The Chekhov Technique is a psycho-physical approach to acting that focuses on the actor's inner life, imagination, and physicality. It emphasizes the use of imagination, creative visualization, and impulse work to bring truth and authenticity to a performance.
Q: What is the significance of Michael Chekhov in the world of acting?
A: Michael Chekhov's work has had a significant impact on the field of acting. His innovative approach to acting, which combines the physical and the psychological, has influenced countless actors and directors all over the world. His teachings have been widely adopted in acting schools and training programs, and his techniques continue to be used by actors to this day.
Q: What are some key concepts of the Chekhov Technique?
A: Some key concepts of the Chekhov Technique include the use of physicality, imaginative work, psychological gesture, atmosphere, and radiating centers. These concepts are meant to help the actor tap into their creative resources, access their emotions, and fully embody the character they are portraying.
Q: Where can one learn the Chekhov Technique?
A: The Chekhov Technique is taught in various acting schools, theater programs, and workshops around the world. The Michael Chekhov Studio, located in New York City, is dedicated to preserving and promoting Chekhov's work and offers classes, workshops, and intensives for actors and theater practitioners. Additionally, many Chekhov Technique practitioners and teachers offer classes and workshops both in person and online.
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